"A library book, I imagine, is a happy book." Cornelia Funke

"Everything puts me in mind of a story." Ben Franklin

Showing posts with label China. Show all posts
Showing posts with label China. Show all posts

Saturday, May 3, 2014

The Magic Tapestry by Demi

 
 
The Magic Tapestry: a Chinese Folktale retold and illus. by Demi, 1994.
 
In this satisfying tale from China's Guangxi Province, an old mother spends years weaving a perfectly beautiful tapestry, but just as she shows it to her three sons, it is stolen away by the fairies. The mother instantly falls ill and begs her oldest son to retrieve it. When the eldest boy finds out he must either endure hardships and danger to find it or can instead have a box of jewels, he takes the easy way out and runs off to the city with his new wealth. The selfish middle child does the same. His poor old mother has now blinded herself through weeping. Fortunately, the heroic youngest brother keeps his promise and faces fire, bitter cold and having to knock his front teeth out and feed them to a stone horse in pursuit of the tapestry. He saves the weaving, helps heal his mother and wins himself a fairy bride in the bargain!
 
Demi has retold and also illustrated the story, using colorful backgrounds of of pink, purple, blue and gold. As she often does, she uses a perspective that shows a whole scene with small, active figures, such as the family chasing after the tapestry as it is blown away by a mysterious, sudden wind or the eldest brother leaving the guardian spirit and making off with his jewels, crossing over a bridge and heading to the city before him. Two of the most exciting pictures are of the youngest boy as he rides his horse through two pages of leaping red and gold flames and then of curling icy waves. The final illustration shows the happy mother, son and fairy bride, living in the now real, former tapestry. They are surrounded by blossoms and lovely birds and animals.
 


Monday, March 31, 2014

Brush of the Gods by Lenore Look & Meilo So



Brush of the Gods by Lenore Look & Meilo So, 2013.

This is another story about a painter so talented that his works come to life.  ( See also Lord of The Cranes, Liang and the Magic Paintbrush, The Magic Horse of Han Gan and The Boy Who Drew Cats. It is the imagined story of Wu Daozi, a great Chinese painter that actually lived during the T'ang dynasty (618-907). Calligraphy was considered the highest form of art, but Wu Daozi painted lifelike figures with moment such as hair, scarves and robes swinging and blowing in the wind. Lenore Look based her tale in part on information found in T'ang poetry and essays.

In our story, young Wu Daozi tries to learn calligraphy from his monk instructor, but instead of characters, he paints plants and animals. As his canvas expands to city walls, he draws scenes with Buddhas and earns the nickname "Flying Sleeves." He paints all day long and collects food for the poor through his admirers' gifts. Until one day, when he draws a butterfly so full of life that it flies away and he has nothing to show at nightfall. Wu Daozi loses all of his followers except the faithful children, and when he has grown up, he receives a commission from the emperor himself. This allows Wu Daozi to create his masterpiece and maybe even to sidestep death itself!

Meilo So provides the book's watercolor, ink, gouache and colored pencil illustrations.

Friday, March 14, 2014

Two of Everything by Lily Toy Hong


Two of Everything by Lily Toy Hong, 1993.

In this cheerful tale, the elderly and poor Haktaks survive  on what is grown in their tiny garden. One day, Mr. Haktak unearths an old brass pot that is too large to cook in and too small to bathe in. Fortunately though, it has the magical ability to double anything that is put inside it! The Haktaks soon have plenty of money and more than they need. Then, a small accident causes Mrs. Haktak to fall into the pot. What will the couple do with another Mrs. Haktak?

Lily Toy Hong's airbrushed acrylic and gouache paintings perfectly suit the jolly mood of the tale. The Hakataks look like friendly dolls with their plump bodies and round cheeks. Even so, they are anything but static, whether they wear bemused smiles, furrowed brows or matching expressions during sleep.

Thursday, March 13, 2014

The Lost Horse: a Chinese Folktale


The Lost Horse: a Chinese Folktale by Ed Young, 1998.


The Lost Horse may remind older readers of Fortunately by Remy Charlip (which I believe was published in 1964) because of the twists and turns of fate. Ed Young tells us that the story is a proverb in China with variations throughout the Middle East. In Young's expanded version, Sai, the wise man, is able to recognize that when something happens, it is difficult to judge whether it is good or bad without getting some perspective on the whole situation. When his strong and fast horse runs away during a thunderstorm, people are sorry for Sai, but he knows that it may not be such a bad thing after all, and is proven right when his horse returns a few days later, accompanied by a fine mare. Yet, Sai realizes she may not be a wholly good gain...

This book was published as a book and puppet set, but sadly, the library copy that I'm reading no longer has the puppets. Apparently, three were included so that kids could tell their own stories. Young's illustrations are pastel and watercolor paint and collage and once again use warm earthy tones. At the book's beginning, he has included Chinese calligraphy telling the original Chinese story.

Wednesday, March 12, 2014

The Runaway Wok: a Chinese New Year Tale


The Runaway Wok: a Chinese New Year Tale by Ying Chang Compestine, Illus. by Sebastia Serra, 2011.

You may be expecting a variation on "The Gingerbread Boy" tale, but that is not the case with The Runaway Wok. It is actually based on the Danish folktale "The Talking Pot." On Chinese New Year's Eve, young Ming is sent to market to trade his family's eggs for a bag of rice. The local rich man has no intention of providing a New Year's feast and although Ming's parents are poor, they plan to make fried rice to celebrate and share with the neighbors. Instead of getting rice, Ming trades for a rusty, one-handled, singing wok. Once the wok has been cleaned up, with a "skippity-hoppity-ho!" it heads off to the rich man's house, returning with plenty of food. It repeats this three more times, bringing back gifts and improving the lives of the poor folk of Beijing. Readers will enjoy seeing the selfish and spoiled receive their due from the cheerful and tricky wok! A recipe for "Festive Stir-Fried Rice" follows the story.

Serra's colorful Beijing is bustling with people of all ages and animals like camels, oxen, cats, dogs and a monkey. His characters are very expressive,  such as the rich man's snooty wife with a small pursed bow of a mouth and one lowered arched eyebrow. One glance tells the reader the nature of her character.  Serra also shows us the happy festivity of Chinese New Year, with fireworks, strings of lanterns and a merry Dragon Parade.



Friday, March 7, 2014

Folktales of the Dragon King and His Sons


Legend of the Chinese Dragon by Marie Sellier, Illus. by Catherine Louis, Calligraphy by Wang Fei, 2006.

In ancient China, tribes lived under the protection of local animal spirits, such the bird of the mountains and the serpent of the high plains. But, because the people fought each other in the names of their spirit protectors, the children of China decided to create an animal that would watch over everyone, putting together the best qualities of each tribe's animal spirit. They came up with: a dragon! When the adults saw the beautiful creature, they vowed to end wars, and so the Chinese dragon became a symbol of peace.

Louis' art appears to be woodblock prints tinted with strong rainbow colors.




The Sons of the Dragon King: a Chinese Legend by Ed Young, 2004.

The uniting dragon mentioned above is here called the Dragon King and in this story he has nine sons who are each given a purpose. Every son has a habit that is judged to be unbecoming in the son of a king. The king is ready to scold, but then wisely finds a way that each behavior can be channeled for the benefit of the people. His noisy son Pu-Lao learns to become as musician, and his image decorates the musical instruments of China. Sixth son Ba-Sha frolicks all day in the water, but as he is a strong swimmer, the Dragon King recognizes that he can protect water travelers, and his face is used on China's bridges. Disruptively angry Ya Zi is pegged for military service and adorns the country's weapons. Therefore, the Dragon king is satisfied as each of his children learns and settles into his appropriate role.

Ed Young's illustrations of the dragon sons contrast their activities before and after parental guidance: indulging in their inappropriate behaviors and in their noble symbolic forms.



Saturday, March 1, 2014

Lord of the Cranes retold by Kerstin Chen


Lord of the Cranes retold by Kerstin Chen. Illus. by Jian Jiang Chen, 2000.

Tian is a wise old mountain dweller whose friends are the cranes. One day, he decides to disguise himself as a beggar and test the people below to see if they are remembering to be kind. Unfortunately, most people ignore him until he meets the owner of an inn who freely gives him food and drink every day. In order to repay him, Tian paints three magical cranes on the inn 's wall. They spring to life and dance for the innkeeper's customers. Because of this, the generous man also becomes a rich and successful one, who thereafter encourages others to share and be kind as he is.

Jian Jiang Chen's bright and bold paintings bring the tale to life. Sunset colored skies of orange, pink and purple contrast with the white winged cranes. Brush strokes highlight the birds' movements in flight. Old Tian appears dignified and serene.

Thursday, February 13, 2014

Chinese Fables by Shiho S. Nunes


Chinese Fables: "The Dragon Slayer" and Other Timeless Tales of Wisdom by Shiho S. Nunes, Illus. by Lak-Khee Tay-Audouard, 2013.

The book's preface explains that the nineteen fables in this collection were chosen from Chinese Fables and Parables by Wolfram Eberhard, an American folklorist.  In the eary 1970s, he recorded five hundred tales with a line or two. Nunes expanded the descriptions into stories such as "The Practical Bride," "Kwan-Yin, the Goddess of Mercy," and ""Sakyami and Lao-Tse," and kept the core truths and moral lessons. Many, like ""Scaring the Tigers," "The Same Difference"  and "The King of Beasts," will make readers smile. The original sources, from 500-250 BCE to 1368-1643, are listed in the back of the book.

The book's attractive  pencil and wash pictures have elements of traditional Chinese art and are inspired by Chinese folk art. To match the "rustic quality of these tales" Lak-Khee Tay-Audouard used ground tea powder, earth, pressed leaves, sackcloth, charcoal and bamboo rag paper to create her illustrations.

Sunday, February 9, 2014

Rabbit's Gift: a Fable From China

Rabbit's Gift: a Fable From China by  George Shannon, Illus. by Laura Dronzek, 2007.

This centuries-old folktale has been shared in China, Germany, Japan, France, Spain, Syria and Jordan. In wintertime, a lucky rabbit finds two turnips and decides to leave one for his friend Donkey. She already has enough food, and kindly takes it to Goat's door and so the gifting goes on. Imagine Rabbit's surprise the next morning when he finds it again at his house!

Laura Dronzek's  child-pleasing acrylic paint illustrations enrich the story. The uncluttered, serene pictures put the emphasis on the generous animal friends. The rich colors Dronzek has chosen contrast nicely with the snowy winter landscape.She includes decorative turnip borders that incorporate the Chinese symbols for rabbit, donkey, goat and deer.

Saturday, February 8, 2014

Mouse Match by Ed Young



Mouse Match by Ed Young, 1997.


This is a Chinese version of a folktale also found in Japan (see The Greatest of All, retold by Eric Kimmel, described in my post The Mightiest One ) . In his Author's Note, Ed Young tells readers that  some variety of the story is told in Korea, India, Burma, Ethiopia, France, Germany and North America (by native peoples).  In Mouse Match, loving mama and papa mice try to find a suitable husband for their wonderful daughter. They hope for no less than "the greatest and most powerful one in the world." So, they begin with the sun, only to learn that there is someone more powerful, the cloud, who claims that there is another still greater than he. The mice are passed through a chain of the mighty and finally find a surprising yet perfect match for their daughter and also gain wisdom that helps them to answer questions for the rest of their days.

The book's pages are printed on heavy card stock and folded accordion style so they can be pulled out to view the entire tale like a mural. One side is in English accompanied by Young's collage illustrations and the flip side has the story in Chinese:




From http://learningmandarinwithmydaughter.blogspot.com/


This book nicely showcases Ed Young's pastel and watercolor collages. The stark black silhouettes of the mice stand out against these backgrounds and the creatures' body language makes them endearingly expressive.  As in Young's best work, there is plenty of texture and subtle color variations that make readers want to touch the pages.

Wednesday, February 5, 2014

Chinese Tale Series: Chang'e Flying to the Moon




Chang'e Flying to the Moon Adapted by Wang Zhiwei, Trans. by Liu Yonghou, Illus. by Zhao Jing & others, 2005.

I think that this is the first Chinese folktale I've looked at that was produced and printed in China. It is part of Dolphin Books' Chinese Tale Series and is written in English and Chinese. The English translation is not always smooth, but the story is still quite interesting.
 Houyi the archer impresses a group of fairy maidens with his shooting talent and becomes charmed by the most beautiful one, Chang'e. Almost immediately, he has a chance to win her when he slays an attacking heavenly wolf. The Lord of Heaven decides that the two young ones should marry, but later, for reasons that are not explained, Houyi shoots down the nine suns, and gets himself and Chang'e thrown out of the heavenly palace and into the human world. Houyi adapts well to this life, having become a champion of the people and killing all the beasts and monsters that threaten them, such as Big Wind Bird, Three-Tailed Dragon, a nine headed monster and more. Chang'e is not having such an easy time. She misses her husband when he is gone, longs for life in the heavenly palace and frets because she and her man are now mortal.
In order to end his wife's worrying, Houyi makes the dangerous trip to Kunlun Mountain to visit the West Queen Mother and bring back the elixir of immortality. This brings about tragedy for the couple and explains why the moon is always bright and gentle on August 15th.

Learn more about Chang'e at: http://www.moonfestival.org/change.html

Tuesday, January 28, 2014

The Dragon Emperor: a Chinese Folktale



The Dragon Emperor: a Chinese Folktale retold by Wang Ping, Illus. by Tang Ge, 2008.

This is another offering in the "On My Own Folklore" series and it is divided into four detail-packed short chapters, but is still heavily illustrated. It tells of the Yellow Emperor, A.K.A. the Dragon Emperor, who was born on Mount Tai, home to snake-bodied gods and goddesses. With four faces and a dragon's body, the Yellow Emperor ruled the people, but he also taught them how to survive by cooking food with fire, digging wells and building houses. He was an inventor and encouraged his people to also create, and so written language, laws and a calendar came about. Unfortunately, one of his greatest warriors, the Black Dragon, called Chi You, made war against the Emperor. Chi You had supernatural powers and 81 equally fierce fighting brothers. Ten battles were fought, and then the emperor found help: Ying Long the dragon, who could control the weather, and Ba the Drought Goddess (the Yellow Emperor's daughter). After defeating his foe, the Yellow Emperor was the sole ruler of the Middle Kingdom until he rode away on Ying Long's back, disappearing into the heavenly court, leaving behind people who continued to worship him.

In the book's Afterword, we learn that the Yellow Emperor is seen as China's founder. Chi You is also honored during festivals, and Ying Long is China's most popular dragon, with dragon dances done for him on New Year's Day.

Tang Ge's colorful art captures the odd majesty of the magical animals, unusual appearing deities and terrifying warriors of the story. Chi You has six scaly arms and four green eyes that match his emerald fangs, but also has the body of a mighty man. The emperor, in his human form, has a long white beard and a rich robe, and he casually perches on Ying Long, the dragon with golden wings and antlers and an impressive snaky tale.

Monday, January 27, 2014

The Luminous Pearl: a Chinese Folktale



The Luminous Pearl: a Chinese Folktale retold by Betty L. Torre, Illus. by Carol Inouye, 1990.

Under the sea, the Dragon King and his advisers attempt to find a husband for his daughter, the intelligent and lovely princess. She knows her own mind and refuses everyone that they suggest, waiting instead for a man who is honest and brave. Admiral C. Horse knows of such a fellow,Wa Jing, so they devise a test for the young man to prove himself worthy. He dreams of a beautiful maiden, but shares this with his older brother, and soon both are in a contest to win the heart of the sea girl. She will marry the brother who can bring her a magical pearl that shines by night. Each brother sets off to find the treasure, but along the way they both promise to help the people of a flooded village. Eventually, each must make a choice: bring back a pearl for the Dragon King's daughter or honor his promise to the villagers. So, the brothers are tested. Which one will become the bridegroom of the fair princess?

Carol Inouye's artwork is a fine accompaniment to the story of The Luminous Pearl. Readers will enjoy the weird and whimsical pictures of the dragon-headed king and his sea creature/humanoid advisers that resemble a crab, tortoise, octopus, etc. People who like pretty princesses will not be disappointed in the beauteous sea maiden. The colors and details of the underwater kingdom should please everyone, with waving plants, lacquered screens and curious fish.

8,000 Stones: a Chinese Folktale

8,000 Stones: a Chinese Folktale by Diane Wolkstein, Illus. By Ed Young, 1972.
This folktale centers around the gift of an elephant from the prince of India to Ts'ao Ts'ao, the Supreme Governor of China. The amazing creature is ten feet tall, but no one knows how much it weighs. The royal advisers can't figure out how to weigh the elephant, but Ts'ao Ts'ao's little son P'ei has a method that just may work. The clever child eventually becomes the emperor of all China in a.d. 200.

Like many of the Chinese folktales mentioned on this blog, 8,000 Stones is illustrated by Ed Young.

Thursday, January 23, 2014

The Hunter: a Chinese Folktale


The Hunter: a Chinese Folktale retold by Mary Casanova, Illus. by Ed Young, 2000.

During a drought, the village hunter, Hai Li Bu, has occasion to rescue a pearly colored snake from a hungry crane. The reptile, not just what she seems, is the daughter of the Dragon King of the Sea, who rewards the hunter with the treasure of his choice. Although he is offered rubies, emeralds, sapphires or pearls, Hai Li Bu asks that he may understand the animal's language. With this talent he is able to provide food for his village and restore health to his people. Then one day he learns from the creatures that a flood is coming that will destroy the village. He has been told that if he reveals the source of his gift, he will be turned to stone. Yet, without proof his people will not believe his story of danger. Will Hai Li Bu sacrifice himself to save the lives of so many others?

Ed Young's pastel and gouache illustrations have graceful line drawings against warm sepia backgrounds, highlighted with white and subtle color.

Wednesday, January 22, 2014

The Real Story of Stone Soup by Ying Chang Compestine



The Real Story of Stone Soup by Ying Chang Compestine, Illus. by Stephane Jorisch, 2007.

You've probably heard the story of Stone Soup, but this is an amusingly different version of the tale. The unreliable narrator, a somewhat self important and lazy fisherman, hires the three Chang brothers to help him with his boat. At lunchtime, he realizes they have nothing to cook in, but the boys manage without a cooking pot. They have some fun with him as they secretly introduce fish, vegetables and eggs into the soup, but tell him the ingredients come from whispering to special stones. The fisherman takes the credit for inventing stone soup, and everyone has a swell lunch. The soup recipe follows the story.

Jorisch's comical watercolor illustrations add to the book's fun. The narrator tells us one thing, but we readers see another. The fisherman claims he's doing the "hardest job" while lying back with his hat over his face, as the "lazy and...somewhat stupid" boys struggle to heave the fish-filled net into the boat. While cooking the soup, the brothers rush the gullible man off to find some salt or sesame oil, while they slyly add fish or eggs, then show him how to  listen and speak to the stones.

Apparently, stone soup really is a traditional dish in southeast China in a region called Xi Shang Ban Na. The legend is that fishermen created the recipe, which is cooked in a hole in the ground lined with banana leaves and brought to a boil by dropping in hot river rocks.These rocks bring out a unique smell and taste. Compestine visited and found that her favorite of the various soups was Egg Drop Stone Soup!

Saturday, January 18, 2014

Little Sima & the Giant Bowl: a Chinese Folktale



Little Sima & the Giant Bowl, Adapted by Zhi Qu, Illus. by Lin Wang, 2009.

In Little Sima's great-great-grandfather's day, dragons wove clouds in the sky that would bring about the rain or snow that the people needed. One day, the village dragon decided to stop his duty and went to live in the river instead, bringing about a drought, and making a nuisance of himself by breathing out fire and draining the villagers' wells of much needed water. For one hundred years, the people suffered, until Sima's family fed and offered shelter to a fragile old man, who in return gave them a gift that would save the village. Some years later, young Sima and his friends are playing when an accident occurs that forces him to choose between following the rules and ensuring regular rainfall or saving his friend's life and facing the consequences.

The tale's Afterword explains that, like several of the other Chinese folktales mentioned on the blog, the story features a real person, in this instance Sima Guang, who lived during the Song dynasty from 1019 to 1086. He was a government official, a scholar and an author whose book Zizhai Tongjian (A Mirror for Good Governance) is still read in China. The fictionalized Sima is intended to be a heroic role model for children. This story is in the "On My Own Folklore" series from Lerner publishing. Although it is thoroughly illustrated, it it not in the picture book format, but is the size of an early reader book. A glossary is included as well as a list of further reading and websites to explore.

Wang's attractive, dreamy illustrations set the mood for the story. Muted washes of pale green and speckles of blue, or burnt orange and pink streak the skies. The highlights are the paintings of the dragons snaking through the sky, with antlered heads and whiskered snouts.

Thursday, January 16, 2014

The Cricket's Cage

 
The Cricket's Cage: a Chinese Folktale retold by Stefan Czernecki, 1997.
 
This pleasing Beijing folktale is about emperor Yongle's desire to place four watchtowers at the corners of the newly built imperial palace and the humble cricket who proves to be the perfect designer. Yongle is incredibly hard to please and his minister Wu Zhong has already presented him with more than sixteen different plans, only to have each rejected. The emperor threatens to behead his minister, which causes a chain reaction as the minister in turn menaces the Master Builder with execution, who passes the ultimatum down to the carpenter, who builds the tower models. The carpenter doesn't know what to do, so he visits his friend the cricket seller, who gifts him with a cricket for inspiration and good luck. Although the carpenter is in despair, he promises the cheerful cricket that he will build it a new cage before he dies. After the carpenter has retired to bed, the cricket draws a plan for an elaborate cage that he hopes to make his home. It proves to also be perfect for a tower, saving the lives of several men and ensuring happiness for the emperor, the carpenter and the cricket!
 
In Czernecki's Author's Note, we learn that Yongle was the third emperor of the Ming dynasty and he really did restore the imperial palace at the capital. He had the royal buildings protected by a wall and created the Forbidden City. He then found his way into this tale, which was originally published in Beijing Legends by Jin Shoushen in 1957.


 
 
Czernecki's artwork is made with Chinese mineral and vegetable pigments and the pictures are bordered with dragon designs of the emperor's robe, in yellow, because only he was allowed to wear that color during his rule. The little green cricket appears at the bottom of every page of text. Overall, this is a bright and beautiful book.
 
 
 
Some charming examples of cricket cages:
 


 
 

Friday, January 10, 2014

Lani and the Secret of the Mountain


Lani and the Secret of the Mountain by Jewell Reinhart Coburn, Illus. by Mikki Senkarik, 1996.

This book is part of the Common Values series and, unlike most of the folktales that I have mentioned, was created specifically for teaching. It is intended for discussing values such as: "Responsibility, Loyalty, Compassion, Courage, Self-sacrifice and Thinking Consequentially." It is also a multilingual edition and contains a long version of the tale in English, plus shortened tellings in English, Chinese: Traditional & Hanyu Pinyin, Hmong, Cambodian (Khmer), Lao, Vietnamese and Spanish. Following the story is a teaching section, with background about China and this folktale, reading suggestions, story-related activities and discussion questions.

The story, also known as "The Long Haired Girl", it is about a brave young girl named Lani who saves her village from a terrible drought. The people and animals are suffering in the heat. Known to her neighbors as laughing and attractive, with long black hair that reaches the ground, Lani suddenly returns from the mountain with downcast eyes and lifeless, snow-white locks. She has learned that the mountain spirit is hording a special plant that can return water to the village, but she has been threatened with death if  she tells of it. Even so, she is willing to sacrifice herself and bring life back to her people. They rejoice in the water's return and the spirit of the mountain sentences her to die in payment. Fortunately, the newly releases water spirits have a plan to save Lani from her execution that also brings back her health and beauty.

Senkarik's illustrations are a mix of black and white and color pictures. Lani is first shown with a little face surrounded by her waves of dark hair, intentionally springing out around her like a halo. This contrasts with a saddened Lani with cascades of white tresses. From there, the illustrations are done in color, each with fancy border frames. Lani is shown with her animal friends, both her pet piglets and wild creatures.

Tuesday, January 7, 2014

Liang and the Magic Paintbrush



Liang and the Magic Paintbrush by Demi, 1980.

In the company of Han Gan and The Boy Who Drew Cats, Liang can draw things that become real and alive. He has the strong desire to paint and is driven away from an art school because he is only a beggar, but one night an old man riding a phoenix appears and gives him a magical paintbrush. He paints both useful things and toys for his poor friends. To make his living, he sells paintings of birds in the marketplace, but he always leaves a detail out to keep them from springing to life. One day, something happens that draws the attention of the greedy emperor. He demands that Liang give him the brush, and when he will not, and will not draw what he is commanded, the ruler has the boy imprisoned. The emperor tries to draw himself riches, but the magic fails. To prevent him from ruining the magic brush, Liang agrees to paint what the emperor wills. Yet, Liang and his magic paintbrush are enough to defeat the monarch and go back to aiding the poor.

Demi has illustrated her retelling with subtle watercolor paintings. Her books The Firebird  (retold & illustrated) and Bamboo Hats and a Rice Cake  (retold by Ann Tompert, illus. by Demi) are also described on this blog.